Once Upon A Mattress is based on the famous fairy tale, The Princess and the Pea. Because of her noble birth, the Princess is unable to sleep on a bed of many mattresses when a tiny pea is placed underneath the bottom mattress.

The kingdom is an unhappy one. King Sextimus has been struck dumb by a witch’s curse and is condemned not to speak again until “the mouse devours the hawk!” Queen Agravia has assumed power and she talks enough for the whole Royal household. She has decreed that no one in the Kingdom may wed until Prince Dauntless is married to a true princess of Royal blood. So far the Queen has tested the eligibility of eleven applicants and each has failed the almost impossible tests the Queen has devised.

The Knights and Ladies of the Court are most distressed by the situation but the most concerned are Lady Larken and her handsome lover, Sir Harry. Lady Larken has informed Sir Harry that he is to be a father so the situation is quite desperate. Sir Harry, determined to find a true princess, sets off for, until now, unexplored parts and returns with Princess Winnifred. She arrives dripping wet having swum the moat, and proceeds to act as unlike a princess as one could possibly imagine. Prince Dauntless is very impressed by the new princess and is soon obviously in love with her – to the consternation of the angry Queen, who decides to give her an impossible test. She consults the Wizard and together they decide on the the sensitivity test – a pea is placed beneath twenty mattresses and the Queen decrees that if Princess Winnifred cannot sleep she will prove her royal birth. However, to ensure that she does sleep, she proceeds to do everything to make her tired out. A ball is held where the dancing is fast and furious and Winnifred is encouraged to drink heavily. She is also given a sleeping draught and a singing bird is provided to sing her to sleep.

However, the Queen fails, for Winnifred cannot sleep and spends the night counting sheep. The Queen is furious and orders Princess Winnifred to leave, but Prince Dauntless defies her and puts an end to the curse upon the King for, as the Jester proclaims, “the mouse has devoured the hawk!”

At the final curtain, we discover that the Princess was unable to sleep because the Jest has placed under the top mattress his lute, a helmet, a large spiked ball, some livestock and some old armour. Of course, all ends happily and the Queen is punished.

Once Upon A Mattress is based on the famous fairy tale, The Princess and the Pea. Because of her noble birth, the Princess is unable to sleep on a bed of many mattresses when a tiny pea is placed underneath the bottom mattress.

The kingdom is an unhappy one. King Sextimus has been struck dumb by a witch’s curse and is condemned not to speak again until “the mouse devours the hawk!” Queen Agravia has assumed power and she talks enough for the whole Royal household. She has decreed that no one in the Kingdom may wed until Prince Dauntless is married to a true princess of Royal blood. So far the Queen has tested the eligibility of eleven applicants and each has failed the almost impossible tests the Queen has devised.

The Knights and Ladies of the Court are most distressed by the situation but the most concerned are Lady Larken and her handsome lover, Sir Harry. Lady Larken has informed Sir Harry that he is to be a father so the situation is quite desperate. Sir Harry, determined to find a true princess, sets off for, until now, unexplored parts and returns with Princess Winnifred. She arrives dripping wet having swum the moat, and proceeds to act as unlike a princess as one could possibly imagine. Prince Dauntless is very impressed by the new princess and is soon obviously in love with her – to the consternation of the angry Queen, who decides to give her an impossible test. She consults the Wizard and together they decide on the the sensitivity test – a pea is placed beneath twenty mattresses and the Queen decrees that if Princess Winnifred cannot sleep she will prove her royal birth. However, to ensure that she does sleep, she proceeds to do everything to make her tired out. A ball is held where the dancing is fast and furious and Winnifred is encouraged to drink heavily. She is also given a sleeping draught and a singing bird is provided to sing her to sleep.

However, the Queen fails, for Winnifred cannot sleep and spends the night counting sheep. The Queen is furious and orders Princess Winnifred to leave, but Prince Dauntless defies her and puts an end to the curse upon the King for, as the Jester proclaims, “the mouse has devoured the hawk!”

At the final curtain, we discover that the Princess was unable to sleep because the Jest has placed under the top mattress his lute, a helmet, a large spiked ball, some livestock and some old armour. Of course, all ends happily and the Queen is punished.

Once Upon A Mattress is based on the famous fairy tale, The Princess and the Pea. Because of her noble birth, the Princess is unable to sleep on a bed of many mattresses when a tiny pea is placed underneath the bottom mattress.

The kingdom is an unhappy one. King Sextimus has been struck dumb by a witch’s curse and is condemned not to speak again until “the mouse devours the hawk!” Queen Agravia has assumed power and she talks enough for the whole Royal household. She has decreed that no one in the Kingdom may wed until Prince Dauntless is married to a true princess of Royal blood. So far the Queen has tested the eligibility of eleven applicants and each has failed the almost impossible tests the Queen has devised.

The Knights and Ladies of the Court are most distressed by the situation but the most concerned are Lady Larken and her handsome lover, Sir Harry. Lady Larken has informed Sir Harry that he is to be a father so the situation is quite desperate. Sir Harry, determined to find a true princess, sets off for, until now, unexplored parts and returns with Princess Winnifred. She arrives dripping wet having swum the moat, and proceeds to act as unlike a princess as one could possibly imagine. Prince Dauntless is very impressed by the new princess and is soon obviously in love with her – to the consternation of the angry Queen, who decides to give her an impossible test. She consults the Wizard and together they decide on the the sensitivity test – a pea is placed beneath twenty mattresses and the Queen decrees that if Princess Winnifred cannot sleep she will prove her royal birth. However, to ensure that she does sleep, she proceeds to do everything to make her tired out. A ball is held where the dancing is fast and furious and Winnifred is encouraged to drink heavily. She is also given a sleeping draught and a singing bird is provided to sing her to sleep.

However, the Queen fails, for Winnifred cannot sleep and spends the night counting sheep. The Queen is furious and orders Princess Winnifred to leave, but Prince Dauntless defies her and puts an end to the curse upon the King for, as the Jester proclaims, “the mouse has devoured the hawk!”

At the final curtain, we discover that the Princess was unable to sleep because the Jest has placed under the top mattress his lute, a helmet, a large spiked ball, some livestock and some old armour. Of course, all ends happily and the Queen is punished.

Once Upon A Mattress is based on the famous fairy tale, The Princess and the Pea. Because of her noble birth, the Princess is unable to sleep on a bed of many mattresses when a tiny pea is placed underneath the bottom mattress.

The kingdom is an unhappy one. King Sextimus has been struck dumb by a witch’s curse and is condemned not to speak again until “the mouse devours the hawk!” Queen Agravia has assumed power and she talks enough for the whole Royal household. She has decreed that no one in the Kingdom may wed until Prince Dauntless is married to a true princess of Royal blood. So far the Queen has tested the eligibility of eleven applicants and each has failed the almost impossible tests the Queen has devised.

The Knights and Ladies of the Court are most distressed by the situation but the most concerned are Lady Larken and her handsome lover, Sir Harry. Lady Larken has informed Sir Harry that he is to be a father so the situation is quite desperate. Sir Harry, determined to find a true princess, sets off for, until now, unexplored parts and returns with Princess Winnifred. She arrives dripping wet having swum the moat, and proceeds to act as unlike a princess as one could possibly imagine. Prince Dauntless is very impressed by the new princess and is soon obviously in love with her – to the consternation of the angry Queen, who decides to give her an impossible test. She consults the Wizard and together they decide on the the sensitivity test – a pea is placed beneath twenty mattresses and the Queen decrees that if Princess Winnifred cannot sleep she will prove her royal birth. However, to ensure that she does sleep, she proceeds to do everything to make her tired out. A ball is held where the dancing is fast and furious and Winnifred is encouraged to drink heavily. She is also given a sleeping draught and a singing bird is provided to sing her to sleep.

However, the Queen fails, for Winnifred cannot sleep and spends the night counting sheep. The Queen is furious and orders Princess Winnifred to leave, but Prince Dauntless defies her and puts an end to the curse upon the King for, as the Jester proclaims, “the mouse has devoured the hawk!”

At the final curtain, we discover that the Princess was unable to sleep because the Jest has placed under the top mattress his lute, a helmet, a large spiked ball, some livestock and some old armour. Of course, all ends happily and the Queen is punished.

Once Upon A Mattress is based on the famous fairy tale, The Princess and the Pea. Because of her noble birth, the Princess is unable to sleep on a bed of many mattresses when a tiny pea is placed underneath the bottom mattress.

The kingdom is an unhappy one. King Sextimus has been struck dumb by a witch’s curse and is condemned not to speak again until “the mouse devours the hawk!” Queen Agravia has assumed power and she talks enough for the whole Royal household. She has decreed that no one in the Kingdom may wed until Prince Dauntless is married to a true princess of Royal blood. So far the Queen has tested the eligibility of eleven applicants and each has failed the almost impossible tests the Queen has devised.

The Knights and Ladies of the Court are most distressed by the situation but the most concerned are Lady Larken and her handsome lover, Sir Harry. Lady Larken has informed Sir Harry that he is to be a father so the situation is quite desperate. Sir Harry, determined to find a true princess, sets off for, until now, unexplored parts and returns with Princess Winnifred. She arrives dripping wet having swum the moat, and proceeds to act as unlike a princess as one could possibly imagine. Prince Dauntless is very impressed by the new princess and is soon obviously in love with her – to the consternation of the angry Queen, who decides to give her an impossible test. She consults the Wizard and together they decide on the the sensitivity test – a pea is placed beneath twenty mattresses and the Queen decrees that if Princess Winnifred cannot sleep she will prove her royal birth. However, to ensure that she does sleep, she proceeds to do everything to make her tired out. A ball is held where the dancing is fast and furious and Winnifred is encouraged to drink heavily. She is also given a sleeping draught and a singing bird is provided to sing her to sleep.

However, the Queen fails, for Winnifred cannot sleep and spends the night counting sheep. The Queen is furious and orders Princess Winnifred to leave, but Prince Dauntless defies her and puts an end to the curse upon the King for, as the Jester proclaims, “the mouse has devoured the hawk!”

At the final curtain, we discover that the Princess was unable to sleep because the Jest has placed under the top mattress his lute, a helmet, a large spiked ball, some livestock and some old armour. Of course, all ends happily and the Queen is punished.

Once Upon A Mattress is based on the famous fairy tale, The Princess and the Pea. Because of her noble birth, the Princess is unable to sleep on a bed of many mattresses when a tiny pea is placed underneath the bottom mattress.

The kingdom is an unhappy one. King Sextimus has been struck dumb by a witch’s curse and is condemned not to speak again until “the mouse devours the hawk!” Queen Agravia has assumed power and she talks enough for the whole Royal household. She has decreed that no one in the Kingdom may wed until Prince Dauntless is married to a true princess of Royal blood. So far the Queen has tested the eligibility of eleven applicants and each has failed the almost impossible tests the Queen has devised.

The Knights and Ladies of the Court are most distressed by the situation but the most concerned are Lady Larken and her handsome lover, Sir Harry. Lady Larken has informed Sir Harry that he is to be a father so the situation is quite desperate. Sir Harry, determined to find a true princess, sets off for, until now, unexplored parts and returns with Princess Winnifred. She arrives dripping wet having swum the moat, and proceeds to act as unlike a princess as one could possibly imagine. Prince Dauntless is very impressed by the new princess and is soon obviously in love with her – to the consternation of the angry Queen, who decides to give her an impossible test. She consults the Wizard and together they decide on the the sensitivity test – a pea is placed beneath twenty mattresses and the Queen decrees that if Princess Winnifred cannot sleep she will prove her royal birth. However, to ensure that she does sleep, she proceeds to do everything to make her tired out. A ball is held where the dancing is fast and furious and Winnifred is encouraged to drink heavily. She is also given a sleeping draught and a singing bird is provided to sing her to sleep.

However, the Queen fails, for Winnifred cannot sleep and spends the night counting sheep. The Queen is furious and orders Princess Winnifred to leave, but Prince Dauntless defies her and puts an end to the curse upon the King for, as the Jester proclaims, “the mouse has devoured the hawk!”

At the final curtain, we discover that the Princess was unable to sleep because the Jest has placed under the top mattress his lute, a helmet, a large spiked ball, some livestock and some old armour. Of course, all ends happily and the Queen is punished.

Once Upon A Mattress is based on the famous fairy tale, The Princess and the Pea. Because of her noble birth, the Princess is unable to sleep on a bed of many mattresses when a tiny pea is placed underneath the bottom mattress.

The kingdom is an unhappy one. King Sextimus has been struck dumb by a witch’s curse and is condemned not to speak again until “the mouse devours the hawk!” Queen Agravia has assumed power and she talks enough for the whole Royal household. She has decreed that no one in the Kingdom may wed until Prince Dauntless is married to a true princess of Royal blood. So far the Queen has tested the eligibility of eleven applicants and each has failed the almost impossible tests the Queen has devised.

The Knights and Ladies of the Court are most distressed by the situation but the most concerned are Lady Larken and her handsome lover, Sir Harry. Lady Larken has informed Sir Harry that he is to be a father so the situation is quite desperate. Sir Harry, determined to find a true princess, sets off for, until now, unexplored parts and returns with Princess Winnifred. She arrives dripping wet having swum the moat, and proceeds to act as unlike a princess as one could possibly imagine. Prince Dauntless is very impressed by the new princess and is soon obviously in love with her – to the consternation of the angry Queen, who decides to give her an impossible test. She consults the Wizard and together they decide on the the sensitivity test – a pea is placed beneath twenty mattresses and the Queen decrees that if Princess Winnifred cannot sleep she will prove her royal birth. However, to ensure that she does sleep, she proceeds to do everything to make her tired out. A ball is held where the dancing is fast and furious and Winnifred is encouraged to drink heavily. She is also given a sleeping draught and a singing bird is provided to sing her to sleep.

However, the Queen fails, for Winnifred cannot sleep and spends the night counting sheep. The Queen is furious and orders Princess Winnifred to leave, but Prince Dauntless defies her and puts an end to the curse upon the King for, as the Jester proclaims, “the mouse has devoured the hawk!”

At the final curtain, we discover that the Princess was unable to sleep because the Jest has placed under the top mattress his lute, a helmet, a large spiked ball, some livestock and some old armour. Of course, all ends happily and the Queen is punished.

Once Upon A Mattress is based on the famous fairy tale, The Princess and the Pea. Because of her noble birth, the Princess is unable to sleep on a bed of many mattresses when a tiny pea is placed underneath the bottom mattress.

The kingdom is an unhappy one. King Sextimus has been struck dumb by a witch’s curse and is condemned not to speak again until “the mouse devours the hawk!” Queen Agravia has assumed power and she talks enough for the whole Royal household. She has decreed that no one in the Kingdom may wed until Prince Dauntless is married to a true princess of Royal blood. So far the Queen has tested the eligibility of eleven applicants and each has failed the almost impossible tests the Queen has devised.

The Knights and Ladies of the Court are most distressed by the situation but the most concerned are Lady Larken and her handsome lover, Sir Harry. Lady Larken has informed Sir Harry that he is to be a father so the situation is quite desperate. Sir Harry, determined to find a true princess, sets off for, until now, unexplored parts and returns with Princess Winnifred. She arrives dripping wet having swum the moat, and proceeds to act as unlike a princess as one could possibly imagine. Prince Dauntless is very impressed by the new princess and is soon obviously in love with her – to the consternation of the angry Queen, who decides to give her an impossible test. She consults the Wizard and together they decide on the the sensitivity test – a pea is placed beneath twenty mattresses and the Queen decrees that if Princess Winnifred cannot sleep she will prove her royal birth. However, to ensure that she does sleep, she proceeds to do everything to make her tired out. A ball is held where the dancing is fast and furious and Winnifred is encouraged to drink heavily. She is also given a sleeping draught and a singing bird is provided to sing her to sleep.

However, the Queen fails, for Winnifred cannot sleep and spends the night counting sheep. The Queen is furious and orders Princess Winnifred to leave, but Prince Dauntless defies her and puts an end to the curse upon the King for, as the Jester proclaims, “the mouse has devoured the hawk!”

At the final curtain, we discover that the Princess was unable to sleep because the Jest has placed under the top mattress his lute, a helmet, a large spiked ball, some livestock and some old armour. Of course, all ends happily and the Queen is punished.

Once Upon A Mattress is based on the famous fairy tale, The Princess and the Pea. Because of her noble birth, the Princess is unable to sleep on a bed of many mattresses when a tiny pea is placed underneath the bottom mattress.

The kingdom is an unhappy one. King Sextimus has been struck dumb by a witch’s curse and is condemned not to speak again until “the mouse devours the hawk!” Queen Agravia has assumed power and she talks enough for the whole Royal household. She has decreed that no one in the Kingdom may wed until Prince Dauntless is married to a true princess of Royal blood. So far the Queen has tested the eligibility of eleven applicants and each has failed the almost impossible tests the Queen has devised.

The Knights and Ladies of the Court are most distressed by the situation but the most concerned are Lady Larken and her handsome lover, Sir Harry. Lady Larken has informed Sir Harry that he is to be a father so the situation is quite desperate. Sir Harry, determined to find a true princess, sets off for, until now, unexplored parts and returns with Princess Winnifred. She arrives dripping wet having swum the moat, and proceeds to act as unlike a princess as one could possibly imagine. Prince Dauntless is very impressed by the new princess and is soon obviously in love with her – to the consternation of the angry Queen, who decides to give her an impossible test. She consults the Wizard and together they decide on the the sensitivity test – a pea is placed beneath twenty mattresses and the Queen decrees that if Princess Winnifred cannot sleep she will prove her royal birth. However, to ensure that she does sleep, she proceeds to do everything to make her tired out. A ball is held where the dancing is fast and furious and Winnifred is encouraged to drink heavily. She is also given a sleeping draught and a singing bird is provided to sing her to sleep.

However, the Queen fails, for Winnifred cannot sleep and spends the night counting sheep. The Queen is furious and orders Princess Winnifred to leave, but Prince Dauntless defies her and puts an end to the curse upon the King for, as the Jester proclaims, “the mouse has devoured the hawk!”

At the final curtain, we discover that the Princess was unable to sleep because the Jest has placed under the top mattress his lute, a helmet, a large spiked ball, some livestock and some old armour. Of course, all ends happily and the Queen is punished.

The music of Elvis comes alive in All Shook Up. Inspired by Shakespeare’s Twelfth Night, All Shook Up follows a small Midwestern town that is thrown into a frenzy with the arrival of Chad, a good-looking, motorcycle-riding roustabout, who rides from town to town with a guitar on his back, blue suede shoes on his feet, and a song in his heart. Repressed by their conservative mayor, the town begins to come alive once more under Chad’s influence. Lovers meet, woo, pursue, and more, all in one zany night that will change the town forever. All Shook Up is a rocking, heartwarming tale about following dreams, opening up to love, and the power of music.

The music of Elvis comes alive in All Shook Up. Inspired by Shakespeare’s Twelfth Night, All Shook Up follows a small Midwestern town that is thrown into a frenzy with the arrival of Chad, a good-looking, motorcycle-riding roustabout, who rides from town to town with a guitar on his back, blue suede shoes on his feet, and a song in his heart. Repressed by their conservative mayor, the town begins to come alive once more under Chad’s influence. Lovers meet, woo, pursue, and more, all in one zany night that will change the town forever. All Shook Up is a rocking, heartwarming tale about following dreams, opening up to love, and the power of music.

The music of Elvis comes alive in All Shook Up. Inspired by Shakespeare’s Twelfth Night, All Shook Up follows a small Midwestern town that is thrown into a frenzy with the arrival of Chad, a good-looking, motorcycle-riding roustabout, who rides from town to town with a guitar on his back, blue suede shoes on his feet, and a song in his heart. Repressed by their conservative mayor, the town begins to come alive once more under Chad’s influence. Lovers meet, woo, pursue, and more, all in one zany night that will change the town forever. All Shook Up is a rocking, heartwarming tale about following dreams, opening up to love, and the power of music.

The music of Elvis comes alive in All Shook Up. Inspired by Shakespeare’s Twelfth Night, All Shook Up follows a small Midwestern town that is thrown into a frenzy with the arrival of Chad, a good-looking, motorcycle-riding roustabout, who rides from town to town with a guitar on his back, blue suede shoes on his feet, and a song in his heart. Repressed by their conservative mayor, the town begins to come alive once more under Chad’s influence. Lovers meet, woo, pursue, and more, all in one zany night that will change the town forever. All Shook Up is a rocking, heartwarming tale about following dreams, opening up to love, and the power of music.

The music of Elvis comes alive in All Shook Up. Inspired by Shakespeare’s Twelfth Night, All Shook Up follows a small Midwestern town that is thrown into a frenzy with the arrival of Chad, a good-looking, motorcycle-riding roustabout, who rides from town to town with a guitar on his back, blue suede shoes on his feet, and a song in his heart. Repressed by their conservative mayor, the town begins to come alive once more under Chad’s influence. Lovers meet, woo, pursue, and more, all in one zany night that will change the town forever. All Shook Up is a rocking, heartwarming tale about following dreams, opening up to love, and the power of music.

The music of Elvis comes alive in All Shook Up. Inspired by Shakespeare’s Twelfth Night, All Shook Up follows a small Midwestern town that is thrown into a frenzy with the arrival of Chad, a good-looking, motorcycle-riding roustabout, who rides from town to town with a guitar on his back, blue suede shoes on his feet, and a song in his heart. Repressed by their conservative mayor, the town begins to come alive once more under Chad’s influence. Lovers meet, woo, pursue, and more, all in one zany night that will change the town forever. All Shook Up is a rocking, heartwarming tale about following dreams, opening up to love, and the power of music.

The music of Elvis comes alive in All Shook Up. Inspired by Shakespeare’s Twelfth Night, All Shook Up follows a small Midwestern town that is thrown into a frenzy with the arrival of Chad, a good-looking, motorcycle-riding roustabout, who rides from town to town with a guitar on his back, blue suede shoes on his feet, and a song in his heart. Repressed by their conservative mayor, the town begins to come alive once more under Chad’s influence. Lovers meet, woo, pursue, and more, all in one zany night that will change the town forever. All Shook Up is a rocking, heartwarming tale about following dreams, opening up to love, and the power of music.

The music of Elvis comes alive in All Shook Up. Inspired by Shakespeare’s Twelfth Night, All Shook Up follows a small Midwestern town that is thrown into a frenzy with the arrival of Chad, a good-looking, motorcycle-riding roustabout, who rides from town to town with a guitar on his back, blue suede shoes on his feet, and a song in his heart. Repressed by their conservative mayor, the town begins to come alive once more under Chad’s influence. Lovers meet, woo, pursue, and more, all in one zany night that will change the town forever. All Shook Up is a rocking, heartwarming tale about following dreams, opening up to love, and the power of music.

The music of Elvis comes alive in All Shook Up. Inspired by Shakespeare’s Twelfth Night, All Shook Up follows a small Midwestern town that is thrown into a frenzy with the arrival of Chad, a good-looking, motorcycle-riding roustabout, who rides from town to town with a guitar on his back, blue suede shoes on his feet, and a song in his heart. Repressed by their conservative mayor, the town begins to come alive once more under Chad’s influence. Lovers meet, woo, pursue, and more, all in one zany night that will change the town forever. All Shook Up is a rocking, heartwarming tale about following dreams, opening up to love, and the power of music.

Based on the masterful adventure novel by Robert Louis Stevenson, Treasure Island is a stunning yarn of piracy on the tropical seas. It begins at an inn on the Devon coast of England in 1775 and quickly becomes an unforgettable tale of treachery and mayhem featuring a host of legendary swashbucklers including the dangerous Billy Bones (played unforgettably in the movies by Lionel Barrymore), the sinister two-timing Israel Hands, the brassy woman pirate Anne Bonney, and the hideous form of evil incarnate, Blind Pew.

At the center of it all are Jim Hawkins, a 14-year-old boy who longs for adventure, and the infamous Long John Silver, who is a complex study of good and evil, perhaps the most famous hero-villain of all time. Silver is an unscrupulous buccaneer-rogue whose greedy quest for gold, coupled with his affection for Jim, cannot help but win the heart of every soul who has ever longed for romance, treasure and adventure.

CAST

Jim Hawkins – Tobin Robertson

Narrator – Grace Blume

Long John Silver – Jeramie Glass

Mr. Hawkins – Forest Worstell

Mrs. Hawkins – Karen Pilgrim

Captain Flint – Chris Peterlin

Job O’Brien – Jeff Joyce

Dr. Livesy – Rose Blume

Squire Trelawney – Jonte Strickland

Captain Smollet – John Johnson

Black Dog – Ethan Johnson

Rathbone – Flynn Robertson

Blind Pew – Kenney Delaney

Ben Gunn – Sam Hipp

Billy Bones – Zach Robertson

Rvd. Mainwaring – Sam Hipp

Josiah Bland – Flynn Robertson

Anne Bonney – Michelle Tipsword

Justice Death – Holly Jones

George Merry – Logan Henderson

Israel Hands – Lee Lard

Ezekiel Hazard – David Fritz

Calico Jack – Jo Zuk

Tom Morgan – Jack Harmon

Boy With Barrow – Ian Tipsword

Beggar – Ryan Salisbury

Various wenches, sailors, pious women, businessmen, townsfolk, pirates:

Olivia Jones

Braden Shanahan

Rachel McCrea

Zachary Webb

Journey Strickland

Kat Devore

CREW

Directors – Greg & Sarah Blume

Stage Manager – Bill Barr

House Manager – Cristin Robertson

Costumers – Sarah Blume, Holly Jones

Production Secretary – Jamara Jaye

Light Design & Execution – Riley Reynolds

Props – Theresa Black & Kristin Whitaker

Sound Design – Megan Johnston

Hair & Makeup – Tosha Taylor

Graphic Design – Kenney Delaney

Based on the masterful adventure novel by Robert Louis Stevenson, Treasure Island is a stunning yarn of piracy on the tropical seas. It begins at an inn on the Devon coast of England in 1775 and quickly becomes an unforgettable tale of treachery and mayhem featuring a host of legendary swashbucklers including the dangerous Billy Bones (played unforgettably in the movies by Lionel Barrymore), the sinister two-timing Israel Hands, the brassy woman pirate Anne Bonney, and the hideous form of evil incarnate, Blind Pew.

At the center of it all are Jim Hawkins, a 14-year-old boy who longs for adventure, and the infamous Long John Silver, who is a complex study of good and evil, perhaps the most famous hero-villain of all time. Silver is an unscrupulous buccaneer-rogue whose greedy quest for gold, coupled with his affection for Jim, cannot help but win the heart of every soul who has ever longed for romance, treasure and adventure.

CAST

Jim Hawkins – Tobin Robertson

Narrator – Grace Blume

Long John Silver – Jeramie Glass

Mr. Hawkins – Forest Worstell

Mrs. Hawkins – Karen Pilgrim

Captain Flint – Chris Peterlin

Job O’Brien – Jeff Joyce

Dr. Livesy – Rose Blume

Squire Trelawney – Jonte Strickland

Captain Smollet – John Johnson

Black Dog – Ethan Johnson

Rathbone – Flynn Robertson

Blind Pew – Kenney Delaney

Ben Gunn – Sam Hipp

Billy Bones – Zach Robertson

Rvd. Mainwaring – Sam Hipp

Josiah Bland – Flynn Robertson

Anne Bonney – Michelle Tipsword

Justice Death – Holly Jones

George Merry – Logan Henderson

Israel Hands – Lee Lard

Ezekiel Hazard – David Fritz

Calico Jack – Jo Zuk

Tom Morgan – Jack Harmon

Boy With Barrow – Ian Tipsword

Beggar – Ryan Salisbury

Various wenches, sailors, pious women, businessmen, townsfolk, pirates:

Olivia Jones

Braden Shanahan

Rachel McCrea

Zachary Webb

Journey Strickland

Kat Devore

CREW

Directors – Greg & Sarah Blume

Stage Manager – Bill Barr

House Manager – Cristin Robertson

Costumers – Sarah Blume, Holly Jones

Production Secretary – Jamara Jaye

Light Design & Execution – Riley Reynolds

Props – Theresa Black & Kristin Whitaker

Sound Design – Megan Johnston

Hair & Makeup – Tosha Taylor

Graphic Design – Kenney Delaney

Based on the masterful adventure novel by Robert Louis Stevenson, Treasure Island is a stunning yarn of piracy on the tropical seas. It begins at an inn on the Devon coast of England in 1775 and quickly becomes an unforgettable tale of treachery and mayhem featuring a host of legendary swashbucklers including the dangerous Billy Bones (played unforgettably in the movies by Lionel Barrymore), the sinister two-timing Israel Hands, the brassy woman pirate Anne Bonney, and the hideous form of evil incarnate, Blind Pew.

At the center of it all are Jim Hawkins, a 14-year-old boy who longs for adventure, and the infamous Long John Silver, who is a complex study of good and evil, perhaps the most famous hero-villain of all time. Silver is an unscrupulous buccaneer-rogue whose greedy quest for gold, coupled with his affection for Jim, cannot help but win the heart of every soul who has ever longed for romance, treasure and adventure.

CAST

Jim Hawkins – Tobin Robertson

Narrator – Grace Blume

Long John Silver – Jeramie Glass

Mr. Hawkins – Forest Worstell

Mrs. Hawkins – Karen Pilgrim

Captain Flint – Chris Peterlin

Job O’Brien – Jeff Joyce

Dr. Livesy – Rose Blume

Squire Trelawney – Jonte Strickland

Captain Smollet – John Johnson

Black Dog – Ethan Johnson

Rathbone – Flynn Robertson

Blind Pew – Kenney Delaney

Ben Gunn – Sam Hipp

Billy Bones – Zach Robertson

Rvd. Mainwaring – Sam Hipp

Josiah Bland – Flynn Robertson

Anne Bonney – Michelle Tipsword

Justice Death – Holly Jones

George Merry – Logan Henderson

Israel Hands – Lee Lard

Ezekiel Hazard – David Fritz

Calico Jack – Jo Zuk

Tom Morgan – Jack Harmon

Boy With Barrow – Ian Tipsword

Beggar – Ryan Salisbury

Various wenches, sailors, pious women, businessmen, townsfolk, pirates:

Olivia Jones

Braden Shanahan

Rachel McCrea

Zachary Webb

Journey Strickland

Kat Devore

CREW

Directors – Greg & Sarah Blume

Stage Manager – Bill Barr

House Manager – Cristin Robertson

Costumers – Sarah Blume, Holly Jones

Production Secretary – Jamara Jaye

Light Design & Execution – Riley Reynolds

Props – Theresa Black & Kristin Whitaker

Sound Design – Megan Johnston

Hair & Makeup – Tosha Taylor

Graphic Design – Kenney Delaney

Based on the masterful adventure novel by Robert Louis Stevenson, Treasure Island is a stunning yarn of piracy on the tropical seas. It begins at an inn on the Devon coast of England in 1775 and quickly becomes an unforgettable tale of treachery and mayhem featuring a host of legendary swashbucklers including the dangerous Billy Bones (played unforgettably in the movies by Lionel Barrymore), the sinister two-timing Israel Hands, the brassy woman pirate Anne Bonney, and the hideous form of evil incarnate, Blind Pew.

At the center of it all are Jim Hawkins, a 14-year-old boy who longs for adventure, and the infamous Long John Silver, who is a complex study of good and evil, perhaps the most famous hero-villain of all time. Silver is an unscrupulous buccaneer-rogue whose greedy quest for gold, coupled with his affection for Jim, cannot help but win the heart of every soul who has ever longed for romance, treasure and adventure.

CAST

Jim Hawkins – Tobin Robertson

Narrator – Grace Blume

Long John Silver – Jeramie Glass

Mr. Hawkins – Forest Worstell

Mrs. Hawkins – Karen Pilgrim

Captain Flint – Chris Peterlin

Job O’Brien – Jeff Joyce

Dr. Livesy – Rose Blume

Squire Trelawney – Jonte Strickland

Captain Smollet – John Johnson

Black Dog – Ethan Johnson

Rathbone – Flynn Robertson

Blind Pew – Kenney Delaney

Ben Gunn – Sam Hipp

Billy Bones – Zach Robertson

Rvd. Mainwaring – Sam Hipp

Josiah Bland – Flynn Robertson

Anne Bonney – Michelle Tipsword

Justice Death – Holly Jones

George Merry – Logan Henderson

Israel Hands – Lee Lard

Ezekiel Hazard – David Fritz

Calico Jack – Jo Zuk

Tom Morgan – Jack Harmon

Boy With Barrow – Ian Tipsword

Beggar – Ryan Salisbury

Various wenches, sailors, pious women, businessmen, townsfolk, pirates:

Olivia Jones

Braden Shanahan

Rachel McCrea

Zachary Webb

Journey Strickland

Kat Devore

CREW

Directors – Greg & Sarah Blume

Stage Manager – Bill Barr

House Manager – Cristin Robertson

Costumers – Sarah Blume, Holly Jones

Production Secretary – Jamara Jaye

Light Design & Execution – Riley Reynolds

Props – Theresa Black & Kristin Whitaker

Sound Design – Megan Johnston

Hair & Makeup – Tosha Taylor

Graphic Design – Kenney Delaney

Based on the masterful adventure novel by Robert Louis Stevenson, Treasure Island is a stunning yarn of piracy on the tropical seas. It begins at an inn on the Devon coast of England in 1775 and quickly becomes an unforgettable tale of treachery and mayhem featuring a host of legendary swashbucklers including the dangerous Billy Bones (played unforgettably in the movies by Lionel Barrymore), the sinister two-timing Israel Hands, the brassy woman pirate Anne Bonney, and the hideous form of evil incarnate, Blind Pew.

At the center of it all are Jim Hawkins, a 14-year-old boy who longs for adventure, and the infamous Long John Silver, who is a complex study of good and evil, perhaps the most famous hero-villain of all time. Silver is an unscrupulous buccaneer-rogue whose greedy quest for gold, coupled with his affection for Jim, cannot help but win the heart of every soul who has ever longed for romance, treasure and adventure.

CAST

Jim Hawkins – Tobin Robertson

Narrator – Grace Blume

Long John Silver – Jeramie Glass

Mr. Hawkins – Forest Worstell

Mrs. Hawkins – Karen Pilgrim

Captain Flint – Chris Peterlin

Job O’Brien – Jeff Joyce

Dr. Livesy – Rose Blume

Squire Trelawney – Jonte Strickland

Captain Smollet – John Johnson

Black Dog – Ethan Johnson

Rathbone – Flynn Robertson

Blind Pew – Kenney Delaney

Ben Gunn – Sam Hipp

Billy Bones – Zach Robertson

Rvd. Mainwaring – Sam Hipp

Josiah Bland – Flynn Robertson

Anne Bonney – Michelle Tipsword

Justice Death – Holly Jones

George Merry – Logan Henderson

Israel Hands – Lee Lard

Ezekiel Hazard – David Fritz

Calico Jack – Jo Zuk

Tom Morgan – Jack Harmon

Boy With Barrow – Ian Tipsword

Beggar – Ryan Salisbury

Various wenches, sailors, pious women, businessmen, townsfolk, pirates:

Olivia Jones

Braden Shanahan

Rachel McCrea

Zachary Webb

Journey Strickland

Kat Devore

CREW

Directors – Greg & Sarah Blume

Stage Manager – Bill Barr

House Manager – Cristin Robertson

Costumers – Sarah Blume, Holly Jones

Production Secretary – Jamara Jaye

Light Design & Execution – Riley Reynolds

Props – Theresa Black & Kristin Whitaker

Sound Design – Megan Johnston

Hair & Makeup – Tosha Taylor

Graphic Design – Kenney Delaney

Based on the masterful adventure novel by Robert Louis Stevenson, Treasure Island is a stunning yarn of piracy on the tropical seas. It begins at an inn on the Devon coast of England in 1775 and quickly becomes an unforgettable tale of treachery and mayhem featuring a host of legendary swashbucklers including the dangerous Billy Bones (played unforgettably in the movies by Lionel Barrymore), the sinister two-timing Israel Hands, the brassy woman pirate Anne Bonney, and the hideous form of evil incarnate, Blind Pew.

At the center of it all are Jim Hawkins, a 14-year-old boy who longs for adventure, and the infamous Long John Silver, who is a complex study of good and evil, perhaps the most famous hero-villain of all time. Silver is an unscrupulous buccaneer-rogue whose greedy quest for gold, coupled with his affection for Jim, cannot help but win the heart of every soul who has ever longed for romance, treasure and adventure.

CAST

Jim Hawkins – Tobin Robertson

Narrator – Grace Blume

Long John Silver – Jeramie Glass

Mr. Hawkins – Forest Worstell

Mrs. Hawkins – Karen Pilgrim

Captain Flint – Chris Peterlin

Job O’Brien – Jeff Joyce

Dr. Livesy – Rose Blume

Squire Trelawney – Jonte Strickland

Captain Smollet – John Johnson

Black Dog – Ethan Johnson

Rathbone – Flynn Robertson

Blind Pew – Kenney Delaney

Ben Gunn – Sam Hipp

Billy Bones – Zach Robertson

Rvd. Mainwaring – Sam Hipp

Josiah Bland – Flynn Robertson

Anne Bonney – Michelle Tipsword

Justice Death – Holly Jones

George Merry – Logan Henderson

Israel Hands – Lee Lard

Ezekiel Hazard – David Fritz

Calico Jack – Jo Zuk

Tom Morgan – Jack Harmon

Boy With Barrow – Ian Tipsword

Beggar – Ryan Salisbury

Various wenches, sailors, pious women, businessmen, townsfolk, pirates:

Olivia Jones

Braden Shanahan

Rachel McCrea

Zachary Webb

Journey Strickland

Kat Devore

CREW

Directors – Greg & Sarah Blume

Stage Manager – Bill Barr

House Manager – Cristin Robertson

Costumers – Sarah Blume, Holly Jones

Production Secretary – Jamara Jaye

Light Design & Execution – Riley Reynolds

Props – Theresa Black & Kristin Whitaker

Sound Design – Megan Johnston

Hair & Makeup – Tosha Taylor

Graphic Design – Kenney Delaney

Based on the masterful adventure novel by Robert Louis Stevenson, Treasure Island is a stunning yarn of piracy on the tropical seas. It begins at an inn on the Devon coast of England in 1775 and quickly becomes an unforgettable tale of treachery and mayhem featuring a host of legendary swashbucklers including the dangerous Billy Bones (played unforgettably in the movies by Lionel Barrymore), the sinister two-timing Israel Hands, the brassy woman pirate Anne Bonney, and the hideous form of evil incarnate, Blind Pew.

At the center of it all are Jim Hawkins, a 14-year-old boy who longs for adventure, and the infamous Long John Silver, who is a complex study of good and evil, perhaps the most famous hero-villain of all time. Silver is an unscrupulous buccaneer-rogue whose greedy quest for gold, coupled with his affection for Jim, cannot help but win the heart of every soul who has ever longed for romance, treasure and adventure.

CAST

Jim Hawkins – Tobin Robertson

Narrator – Grace Blume

Long John Silver – Jeramie Glass

Mr. Hawkins – Forest Worstell

Mrs. Hawkins – Karen Pilgrim

Captain Flint – Chris Peterlin

Job O’Brien – Jeff Joyce

Dr. Livesy – Rose Blume

Squire Trelawney – Jonte Strickland

Captain Smollet – John Johnson

Black Dog – Ethan Johnson

Rathbone – Flynn Robertson

Blind Pew – Kenney Delaney

Ben Gunn – Sam Hipp

Billy Bones – Zach Robertson

Rvd. Mainwaring – Sam Hipp

Josiah Bland – Flynn Robertson

Anne Bonney – Michelle Tipsword

Justice Death – Holly Jones

George Merry – Logan Henderson

Israel Hands – Lee Lard

Ezekiel Hazard – David Fritz

Calico Jack – Jo Zuk

Tom Morgan – Jack Harmon

Boy With Barrow – Ian Tipsword

Beggar – Ryan Salisbury

Various wenches, sailors, pious women, businessmen, townsfolk, pirates:

Olivia Jones

Braden Shanahan

Rachel McCrea

Zachary Webb

Journey Strickland

Kat Devore

CREW

Directors – Greg & Sarah Blume

Stage Manager – Bill Barr

House Manager – Cristin Robertson

Costumers – Sarah Blume, Holly Jones

Production Secretary – Jamara Jaye

Light Design & Execution – Riley Reynolds

Props – Theresa Black & Kristin Whitaker

Sound Design – Megan Johnston

Hair & Makeup – Tosha Taylor

Graphic Design – Kenney Delaney

Based on the masterful adventure novel by Robert Louis Stevenson, Treasure Island is a stunning yarn of piracy on the tropical seas. It begins at an inn on the Devon coast of England in 1775 and quickly becomes an unforgettable tale of treachery and mayhem featuring a host of legendary swashbucklers including the dangerous Billy Bones (played unforgettably in the movies by Lionel Barrymore), the sinister two-timing Israel Hands, the brassy woman pirate Anne Bonney, and the hideous form of evil incarnate, Blind Pew.

At the center of it all are Jim Hawkins, a 14-year-old boy who longs for adventure, and the infamous Long John Silver, who is a complex study of good and evil, perhaps the most famous hero-villain of all time. Silver is an unscrupulous buccaneer-rogue whose greedy quest for gold, coupled with his affection for Jim, cannot help but win the heart of every soul who has ever longed for romance, treasure and adventure.

CAST

Jim Hawkins – Tobin Robertson

Narrator – Grace Blume

Long John Silver – Jeramie Glass

Mr. Hawkins – Forest Worstell

Mrs. Hawkins – Karen Pilgrim

Captain Flint – Chris Peterlin

Job O’Brien – Jeff Joyce

Dr. Livesy – Rose Blume

Squire Trelawney – Jonte Strickland

Captain Smollet – John Johnson

Black Dog – Ethan Johnson

Rathbone – Flynn Robertson

Blind Pew – Kenney Delaney

Ben Gunn – Sam Hipp

Billy Bones – Zach Robertson

Rvd. Mainwaring – Sam Hipp

Josiah Bland – Flynn Robertson

Anne Bonney – Michelle Tipsword

Justice Death – Holly Jones

George Merry – Logan Henderson

Israel Hands – Lee Lard

Ezekiel Hazard – David Fritz

Calico Jack – Jo Zuk

Tom Morgan – Jack Harmon

Boy With Barrow – Ian Tipsword

Beggar – Ryan Salisbury

Various wenches, sailors, pious women, businessmen, townsfolk, pirates:

Olivia Jones

Braden Shanahan

Rachel McCrea

Zachary Webb

Journey Strickland

Kat Devore

CREW

Directors – Greg & Sarah Blume

Stage Manager – Bill Barr

House Manager – Cristin Robertson

Costumers – Sarah Blume, Holly Jones

Production Secretary – Jamara Jaye

Light Design & Execution – Riley Reynolds

Props – Theresa Black & Kristin Whitaker

Sound Design – Megan Johnston

Hair & Makeup – Tosha Taylor

Graphic Design – Kenney Delaney

Based on the masterful adventure novel by Robert Louis Stevenson, Treasure Island is a stunning yarn of piracy on the tropical seas. It begins at an inn on the Devon coast of England in 1775 and quickly becomes an unforgettable tale of treachery and mayhem featuring a host of legendary swashbucklers including the dangerous Billy Bones (played unforgettably in the movies by Lionel Barrymore), the sinister two-timing Israel Hands, the brassy woman pirate Anne Bonney, and the hideous form of evil incarnate, Blind Pew.

At the center of it all are Jim Hawkins, a 14-year-old boy who longs for adventure, and the infamous Long John Silver, who is a complex study of good and evil, perhaps the most famous hero-villain of all time. Silver is an unscrupulous buccaneer-rogue whose greedy quest for gold, coupled with his affection for Jim, cannot help but win the heart of every soul who has ever longed for romance, treasure and adventure.

CAST

Jim Hawkins – Tobin Robertson

Narrator – Grace Blume

Long John Silver – Jeramie Glass

Mr. Hawkins – Forest Worstell

Mrs. Hawkins – Karen Pilgrim

Captain Flint – Chris Peterlin

Job O’Brien – Jeff Joyce

Dr. Livesy – Rose Blume

Squire Trelawney – Jonte Strickland

Captain Smollet – John Johnson

Black Dog – Ethan Johnson

Rathbone – Flynn Robertson

Blind Pew – Kenney Delaney

Ben Gunn – Sam Hipp

Billy Bones – Zach Robertson

Rvd. Mainwaring – Sam Hipp

Josiah Bland – Flynn Robertson

Anne Bonney – Michelle Tipsword

Justice Death – Holly Jones

George Merry – Logan Henderson

Israel Hands – Lee Lard

Ezekiel Hazard – David Fritz

Calico Jack – Jo Zuk

Tom Morgan – Jack Harmon

Boy With Barrow – Ian Tipsword

Beggar – Ryan Salisbury

Various wenches, sailors, pious women, businessmen, townsfolk, pirates:

Olivia Jones

Braden Shanahan

Rachel McCrea

Zachary Webb

Journey Strickland

Kat Devore

CREW

Directors – Greg & Sarah Blume

Stage Manager – Bill Barr

House Manager – Cristin Robertson

Costumers – Sarah Blume, Holly Jones

Production Secretary – Jamara Jaye

Light Design & Execution – Riley Reynolds

Props – Theresa Black & Kristin Whitaker

Sound Design – Megan Johnston

Hair & Makeup – Tosha Taylor

Graphic Design – Kenney Delaney

The new musical, Freaky Friday, based on the beloved 1972 novel by Mary Rodgers and the hit Disney films (and developed by Disney Theatrical Productions expressly for licensing to theatres), features a book by Bridget Carpenter – the co-executive producer and writer on the beloved TV hits, “Friday Night Lights” and “Parenthood” – and music and lyrics by Tom Kitt and Brian Yorkey – the Pulitzer Prize-winning composers of Next to Normal and If/Then.

When an overworked mother and her teenage daughter magically swap bodies, they have just one day to put things right again. Freaky Friday, a new musical based on the celebrated novel by Mary Rodgers and the hit Disney films, is a heartfelt, comedic, and unexpectedly emotional update on an American classic. By spending a day in each other’s shoes, Katherine and Ellie come to appreciate one another’s struggles, learn self-acceptance, and realize the immeasurable love and mutual respect that bond a mother and daughter.

CREW

Director – Peggy Breaux Hupp
Choreographer – Sophie Challacombe
Music Director/Orchestra Director – Amanda Connon
Stage Manager – Meghan Pantages
Costumer – Paula Graves
Production Secretary – Tracie Carey
Light Design & Execution – Riley Reynolds
Props – Theresa Black & Kristin Whitaker
Sound – Brady Varwig & Brittaney Varwig
Set Design – Chas Killen
Set Builder – Ken Hupp
Hair & Makeup – Rebecca Sierra
House Manager – Erika Johnston-Poch
Graphic Design – Kenney Delaney

The new musical, Freaky Friday, based on the beloved 1972 novel by Mary Rodgers and the hit Disney films (and developed by Disney Theatrical Productions expressly for licensing to theatres), features a book by Bridget Carpenter – the co-executive producer and writer on the beloved TV hits, “Friday Night Lights” and “Parenthood” – and music and lyrics by Tom Kitt and Brian Yorkey – the Pulitzer Prize-winning composers of Next to Normal and If/Then.

When an overworked mother and her teenage daughter magically swap bodies, they have just one day to put things right again. Freaky Friday, a new musical based on the celebrated novel by Mary Rodgers and the hit Disney films, is a heartfelt, comedic, and unexpectedly emotional update on an American classic. By spending a day in each other’s shoes, Katherine and Ellie come to appreciate one another’s struggles, learn self-acceptance, and realize the immeasurable love and mutual respect that bond a mother and daughter.

CREW

Director – Peggy Breaux Hupp
Choreographer – Sophie Challacombe
Music Director/Orchestra Director – Amanda Connon
Stage Manager – Meghan Pantages
Costumer – Paula Graves
Production Secretary – Tracie Carey
Light Design & Execution – Riley Reynolds
Props – Theresa Black & Kristin Whitaker
Sound – Brady Varwig & Brittaney Varwig
Set Design – Chas Killen
Set Builder – Ken Hupp
Hair & Makeup – Rebecca Sierra
House Manager – Erika Johnston-Poch
Graphic Design – Kenney Delaney

The new musical, Freaky Friday, based on the beloved 1972 novel by Mary Rodgers and the hit Disney films (and developed by Disney Theatrical Productions expressly for licensing to theatres), features a book by Bridget Carpenter – the co-executive producer and writer on the beloved TV hits, “Friday Night Lights” and “Parenthood” – and music and lyrics by Tom Kitt and Brian Yorkey – the Pulitzer Prize-winning composers of Next to Normal and If/Then.

When an overworked mother and her teenage daughter magically swap bodies, they have just one day to put things right again. Freaky Friday, a new musical based on the celebrated novel by Mary Rodgers and the hit Disney films, is a heartfelt, comedic, and unexpectedly emotional update on an American classic. By spending a day in each other’s shoes, Katherine and Ellie come to appreciate one another’s struggles, learn self-acceptance, and realize the immeasurable love and mutual respect that bond a mother and daughter.

CREW

Director – Peggy Breaux Hupp
Choreographer – Sophie Challacombe
Music Director/Orchestra Director – Amanda Connon
Stage Manager – Meghan Pantages
Costumer – Paula Graves
Production Secretary – Tracie Carey
Light Design & Execution – Riley Reynolds
Props – Theresa Black & Kristin Whitaker
Sound – Brady Varwig & Brittaney Varwig
Set Design – Chas Killen
Set Builder – Ken Hupp
Hair & Makeup – Rebecca Sierra
House Manager – Erika Johnston-Poch
Graphic Design – Kenney Delaney

The new musical, Freaky Friday, based on the beloved 1972 novel by Mary Rodgers and the hit Disney films (and developed by Disney Theatrical Productions expressly for licensing to theatres), features a book by Bridget Carpenter – the co-executive producer and writer on the beloved TV hits, “Friday Night Lights” and “Parenthood” – and music and lyrics by Tom Kitt and Brian Yorkey – the Pulitzer Prize-winning composers of Next to Normal and If/Then.

When an overworked mother and her teenage daughter magically swap bodies, they have just one day to put things right again. Freaky Friday, a new musical based on the celebrated novel by Mary Rodgers and the hit Disney films, is a heartfelt, comedic, and unexpectedly emotional update on an American classic. By spending a day in each other’s shoes, Katherine and Ellie come to appreciate one another’s struggles, learn self-acceptance, and realize the immeasurable love and mutual respect that bond a mother and daughter.

CREW

Director – Peggy Breaux Hupp
Choreographer – Sophie Challacombe
Music Director/Orchestra Director – Amanda Connon
Stage Manager – Meghan Pantages
Costumer – Paula Graves
Production Secretary – Tracie Carey
Light Design & Execution – Riley Reynolds
Props – Theresa Black & Kristin Whitaker
Sound – Brady Varwig & Brittaney Varwig
Set Design – Chas Killen
Set Builder – Ken Hupp
Hair & Makeup – Rebecca Sierra
House Manager – Erika Johnston-Poch
Graphic Design – Kenney Delaney

The new musical, Freaky Friday, based on the beloved 1972 novel by Mary Rodgers and the hit Disney films (and developed by Disney Theatrical Productions expressly for licensing to theatres), features a book by Bridget Carpenter – the co-executive producer and writer on the beloved TV hits, “Friday Night Lights” and “Parenthood” – and music and lyrics by Tom Kitt and Brian Yorkey – the Pulitzer Prize-winning composers of Next to Normal and If/Then.

When an overworked mother and her teenage daughter magically swap bodies, they have just one day to put things right again. Freaky Friday, a new musical based on the celebrated novel by Mary Rodgers and the hit Disney films, is a heartfelt, comedic, and unexpectedly emotional update on an American classic. By spending a day in each other’s shoes, Katherine and Ellie come to appreciate one another’s struggles, learn self-acceptance, and realize the immeasurable love and mutual respect that bond a mother and daughter.

CREW

Director – Peggy Breaux Hupp
Choreographer – Sophie Challacombe
Music Director/Orchestra Director – Amanda Connon
Stage Manager – Meghan Pantages
Costumer – Paula Graves
Production Secretary – Tracie Carey
Light Design & Execution – Riley Reynolds
Props – Theresa Black & Kristin Whitaker
Sound – Brady Varwig & Brittaney Varwig
Set Design – Chas Killen
Set Builder – Ken Hupp
Hair & Makeup – Rebecca Sierra
House Manager – Erika Johnston-Poch
Graphic Design – Kenney Delaney

The new musical, Freaky Friday, based on the beloved 1972 novel by Mary Rodgers and the hit Disney films (and developed by Disney Theatrical Productions expressly for licensing to theatres), features a book by Bridget Carpenter – the co-executive producer and writer on the beloved TV hits, “Friday Night Lights” and “Parenthood” – and music and lyrics by Tom Kitt and Brian Yorkey – the Pulitzer Prize-winning composers of Next to Normal and If/Then.

When an overworked mother and her teenage daughter magically swap bodies, they have just one day to put things right again. Freaky Friday, a new musical based on the celebrated novel by Mary Rodgers and the hit Disney films, is a heartfelt, comedic, and unexpectedly emotional update on an American classic. By spending a day in each other’s shoes, Katherine and Ellie come to appreciate one another’s struggles, learn self-acceptance, and realize the immeasurable love and mutual respect that bond a mother and daughter.

CREW

Director – Peggy Breaux Hupp
Choreographer – Sophie Challacombe
Music Director/Orchestra Director – Amanda Connon
Stage Manager – Meghan Pantages
Costumer – Paula Graves
Production Secretary – Tracie Carey
Light Design & Execution – Riley Reynolds
Props – Theresa Black & Kristin Whitaker
Sound – Brady Varwig & Brittaney Varwig
Set Design – Chas Killen
Set Builder – Ken Hupp
Hair & Makeup – Rebecca Sierra
House Manager – Erika Johnston-Poch
Graphic Design – Kenney Delaney

The new musical, Freaky Friday, based on the beloved 1972 novel by Mary Rodgers and the hit Disney films (and developed by Disney Theatrical Productions expressly for licensing to theatres), features a book by Bridget Carpenter – the co-executive producer and writer on the beloved TV hits, “Friday Night Lights” and “Parenthood” – and music and lyrics by Tom Kitt and Brian Yorkey – the Pulitzer Prize-winning composers of Next to Normal and If/Then.

When an overworked mother and her teenage daughter magically swap bodies, they have just one day to put things right again. Freaky Friday, a new musical based on the celebrated novel by Mary Rodgers and the hit Disney films, is a heartfelt, comedic, and unexpectedly emotional update on an American classic. By spending a day in each other’s shoes, Katherine and Ellie come to appreciate one another’s struggles, learn self-acceptance, and realize the immeasurable love and mutual respect that bond a mother and daughter.

CREW

Director – Peggy Breaux Hupp
Choreographer – Sophie Challacombe
Music Director/Orchestra Director – Amanda Connon
Stage Manager – Meghan Pantages
Costumer – Paula Graves
Production Secretary – Tracie Carey
Light Design & Execution – Riley Reynolds
Props – Theresa Black & Kristin Whitaker
Sound – Brady Varwig & Brittaney Varwig
Set Design – Chas Killen
Set Builder – Ken Hupp
Hair & Makeup – Rebecca Sierra
House Manager – Erika Johnston-Poch
Graphic Design – Kenney Delaney

The new musical, Freaky Friday, based on the beloved 1972 novel by Mary Rodgers and the hit Disney films (and developed by Disney Theatrical Productions expressly for licensing to theatres), features a book by Bridget Carpenter – the co-executive producer and writer on the beloved TV hits, “Friday Night Lights” and “Parenthood” – and music and lyrics by Tom Kitt and Brian Yorkey – the Pulitzer Prize-winning composers of Next to Normal and If/Then.

When an overworked mother and her teenage daughter magically swap bodies, they have just one day to put things right again. Freaky Friday, a new musical based on the celebrated novel by Mary Rodgers and the hit Disney films, is a heartfelt, comedic, and unexpectedly emotional update on an American classic. By spending a day in each other’s shoes, Katherine and Ellie come to appreciate one another’s struggles, learn self-acceptance, and realize the immeasurable love and mutual respect that bond a mother and daughter.

CREW

Director – Peggy Breaux Hupp
Choreographer – Sophie Challacombe
Music Director/Orchestra Director – Amanda Connon
Stage Manager – Meghan Pantages
Costumer – Paula Graves
Production Secretary – Tracie Carey
Light Design & Execution – Riley Reynolds
Props – Theresa Black & Kristin Whitaker
Sound – Brady Varwig & Brittaney Varwig
Set Design – Chas Killen
Set Builder – Ken Hupp
Hair & Makeup – Rebecca Sierra
House Manager – Erika Johnston-Poch
Graphic Design – Kenney Delaney

The new musical, Freaky Friday, based on the beloved 1972 novel by Mary Rodgers and the hit Disney films (and developed by Disney Theatrical Productions expressly for licensing to theatres), features a book by Bridget Carpenter – the co-executive producer and writer on the beloved TV hits, “Friday Night Lights” and “Parenthood” – and music and lyrics by Tom Kitt and Brian Yorkey – the Pulitzer Prize-winning composers of Next to Normal and If/Then.

When an overworked mother and her teenage daughter magically swap bodies, they have just one day to put things right again. Freaky Friday, a new musical based on the celebrated novel by Mary Rodgers and the hit Disney films, is a heartfelt, comedic, and unexpectedly emotional update on an American classic. By spending a day in each other’s shoes, Katherine and Ellie come to appreciate one another’s struggles, learn self-acceptance, and realize the immeasurable love and mutual respect that bond a mother and daughter.

CREW

Director – Peggy Breaux Hupp
Choreographer – Sophie Challacombe
Music Director/Orchestra Director – Amanda Connon
Stage Manager – Meghan Pantages
Costumer – Paula Graves
Production Secretary – Tracie Carey
Light Design & Execution – Riley Reynolds
Props – Theresa Black & Kristin Whitaker
Sound – Brady Varwig & Brittaney Varwig
Set Design – Chas Killen
Set Builder – Ken Hupp
Hair & Makeup – Rebecca Sierra
House Manager – Erika Johnston-Poch
Graphic Design – Kenney Delaney

One of the most popular Disney movies of all time is capturing hearts in a whole new way: as a practically perfect musical! Based on the books by P.L. Travers and the classic Walt Disney film, Disney and Cameron Mackintosh’s Mary Poppins delighted Broadway audiences for over 2,500 performances and received nominations for nine Olivier and seven Tony Awards, including Best Musical.

The jack-of-all trades, Bert, introduces us to England in 1910 and the troubled Banks family. Young Jane and Michael have sent many a nanny packing before Mary Poppins arrives on their doorstep. Using a combination of magic and common sense, she must teach the family members how to value each other again. Mary Poppins takes the children on many magical and memorable adventures, but Jane and Michael aren’t the only ones upon whom she has a profound effect. Even grown-ups can learn a lesson or two from the nanny who advises that “Anything can happen if you let it.”

Mary Poppins is an enchanting mixture of irresistible story, unforgettable songs, breathtaking dance numbers and astonishing stagecraft. This show is a perfect opportunity to showcase a strong, iconic female performer, as well as unique special effects and illusions.

This show is rated PG-13

CREW

Director – Chip Joyce
Assistant Director – Autumn Vandeven
Choreographers – Jennifer Morris & Sydney Abdnour
Music Director – Shawn Degenhart
Stage Managers – Bill Barr & John Donlan
Costumers – Sarah Blume, Ashlie Geiger, DeeDee Neuhaus
Production Secretary – Sarah Beth Leasor
Co-Production Secretary / House Manager – Jennifer Hodum
Hair & Makeup – Amy Williams, Susan Hazzard, Hannah Drake, Kayla Drake
Light Design – Amy & Jeramie Glass
Props – Jes King & Janelle Duffy
Set Design – Chip Joyce
Graphic Design – Kenney Delaney

One of the most popular Disney movies of all time is capturing hearts in a whole new way: as a practically perfect musical! Based on the books by P.L. Travers and the classic Walt Disney film, Disney and Cameron Mackintosh’s Mary Poppins delighted Broadway audiences for over 2,500 performances and received nominations for nine Olivier and seven Tony Awards, including Best Musical.

The jack-of-all trades, Bert, introduces us to England in 1910 and the troubled Banks family. Young Jane and Michael have sent many a nanny packing before Mary Poppins arrives on their doorstep. Using a combination of magic and common sense, she must teach the family members how to value each other again. Mary Poppins takes the children on many magical and memorable adventures, but Jane and Michael aren’t the only ones upon whom she has a profound effect. Even grown-ups can learn a lesson or two from the nanny who advises that “Anything can happen if you let it.”

Mary Poppins is an enchanting mixture of irresistible story, unforgettable songs, breathtaking dance numbers and astonishing stagecraft. This show is a perfect opportunity to showcase a strong, iconic female performer, as well as unique special effects and illusions.

This show is rated PG-13

CREW

Director – Chip Joyce
Assistant Director – Autumn Vandeven
Choreographers – Jennifer Morris & Sydney Abdnour
Music Director – Shawn Degenhart
Stage Managers – Bill Barr & John Donlan
Costumers – Sarah Blume, Ashlie Geiger, DeeDee Neuhaus
Production Secretary – Sarah Beth Leasor
Co-Production Secretary / House Manager – Jennifer Hodum
Hair & Makeup – Amy Williams, Susan Hazzard, Hannah Drake, Kayla Drake
Light Design – Amy & Jeramie Glass
Props – Jes King & Janelle Duffy
Set Design – Chip Joyce
Graphic Design – Kenney Delaney

One of the most popular Disney movies of all time is capturing hearts in a whole new way: as a practically perfect musical! Based on the books by P.L. Travers and the classic Walt Disney film, Disney and Cameron Mackintosh’s Mary Poppins delighted Broadway audiences for over 2,500 performances and received nominations for nine Olivier and seven Tony Awards, including Best Musical.

The jack-of-all trades, Bert, introduces us to England in 1910 and the troubled Banks family. Young Jane and Michael have sent many a nanny packing before Mary Poppins arrives on their doorstep. Using a combination of magic and common sense, she must teach the family members how to value each other again. Mary Poppins takes the children on many magical and memorable adventures, but Jane and Michael aren’t the only ones upon whom she has a profound effect. Even grown-ups can learn a lesson or two from the nanny who advises that “Anything can happen if you let it.”

Mary Poppins is an enchanting mixture of irresistible story, unforgettable songs, breathtaking dance numbers and astonishing stagecraft. This show is a perfect opportunity to showcase a strong, iconic female performer, as well as unique special effects and illusions.

This show is rated PG-13

CREW

Director – Chip Joyce
Assistant Director – Autumn Vandeven
Choreographers – Jennifer Morris & Sydney Abdnour
Music Director – Shawn Degenhart
Stage Managers – Bill Barr & John Donlan
Costumers – Sarah Blume, Ashlie Geiger, DeeDee Neuhaus
Production Secretary – Sarah Beth Leasor
Co-Production Secretary / House Manager – Jennifer Hodum
Hair & Makeup – Amy Williams, Susan Hazzard, Hannah Drake, Kayla Drake
Light Design – Amy & Jeramie Glass
Props – Jes King & Janelle Duffy
Set Design – Chip Joyce
Graphic Design – Kenney Delaney

One of the most popular Disney movies of all time is capturing hearts in a whole new way: as a practically perfect musical! Based on the books by P.L. Travers and the classic Walt Disney film, Disney and Cameron Mackintosh’s Mary Poppins delighted Broadway audiences for over 2,500 performances and received nominations for nine Olivier and seven Tony Awards, including Best Musical.

The jack-of-all trades, Bert, introduces us to England in 1910 and the troubled Banks family. Young Jane and Michael have sent many a nanny packing before Mary Poppins arrives on their doorstep. Using a combination of magic and common sense, she must teach the family members how to value each other again. Mary Poppins takes the children on many magical and memorable adventures, but Jane and Michael aren’t the only ones upon whom she has a profound effect. Even grown-ups can learn a lesson or two from the nanny who advises that “Anything can happen if you let it.”

Mary Poppins is an enchanting mixture of irresistible story, unforgettable songs, breathtaking dance numbers and astonishing stagecraft. This show is a perfect opportunity to showcase a strong, iconic female performer, as well as unique special effects and illusions.

This show is rated PG-13

CREW

Director – Chip Joyce
Assistant Director – Autumn Vandeven
Choreographers – Jennifer Morris & Sydney Abdnour
Music Director – Shawn Degenhart
Stage Managers – Bill Barr & John Donlan
Costumers – Sarah Blume, Ashlie Geiger, DeeDee Neuhaus
Production Secretary – Sarah Beth Leasor
Co-Production Secretary / House Manager – Jennifer Hodum
Hair & Makeup – Amy Williams, Susan Hazzard, Hannah Drake, Kayla Drake
Light Design – Amy & Jeramie Glass
Props – Jes King & Janelle Duffy
Set Design – Chip Joyce
Graphic Design – Kenney Delaney

One of the most popular Disney movies of all time is capturing hearts in a whole new way: as a practically perfect musical! Based on the books by P.L. Travers and the classic Walt Disney film, Disney and Cameron Mackintosh’s Mary Poppins delighted Broadway audiences for over 2,500 performances and received nominations for nine Olivier and seven Tony Awards, including Best Musical.

The jack-of-all trades, Bert, introduces us to England in 1910 and the troubled Banks family. Young Jane and Michael have sent many a nanny packing before Mary Poppins arrives on their doorstep. Using a combination of magic and common sense, she must teach the family members how to value each other again. Mary Poppins takes the children on many magical and memorable adventures, but Jane and Michael aren’t the only ones upon whom she has a profound effect. Even grown-ups can learn a lesson or two from the nanny who advises that “Anything can happen if you let it.”

Mary Poppins is an enchanting mixture of irresistible story, unforgettable songs, breathtaking dance numbers and astonishing stagecraft. This show is a perfect opportunity to showcase a strong, iconic female performer, as well as unique special effects and illusions.

This show is rated PG-13

CREW

Director – Chip Joyce
Assistant Director – Autumn Vandeven
Choreographers – Jennifer Morris & Sydney Abdnour
Music Director – Shawn Degenhart
Stage Managers – Bill Barr & John Donlan
Costumers – Sarah Blume, Ashlie Geiger, DeeDee Neuhaus
Production Secretary – Sarah Beth Leasor
Co-Production Secretary / House Manager – Jennifer Hodum
Hair & Makeup – Amy Williams, Susan Hazzard, Hannah Drake, Kayla Drake
Light Design – Amy & Jeramie Glass
Props – Jes King & Janelle Duffy
Set Design – Chip Joyce
Graphic Design – Kenney Delaney

One of the most popular Disney movies of all time is capturing hearts in a whole new way: as a practically perfect musical! Based on the books by P.L. Travers and the classic Walt Disney film, Disney and Cameron Mackintosh’s Mary Poppins delighted Broadway audiences for over 2,500 performances and received nominations for nine Olivier and seven Tony Awards, including Best Musical.

The jack-of-all trades, Bert, introduces us to England in 1910 and the troubled Banks family. Young Jane and Michael have sent many a nanny packing before Mary Poppins arrives on their doorstep. Using a combination of magic and common sense, she must teach the family members how to value each other again. Mary Poppins takes the children on many magical and memorable adventures, but Jane and Michael aren’t the only ones upon whom she has a profound effect. Even grown-ups can learn a lesson or two from the nanny who advises that “Anything can happen if you let it.”

Mary Poppins is an enchanting mixture of irresistible story, unforgettable songs, breathtaking dance numbers and astonishing stagecraft. This show is a perfect opportunity to showcase a strong, iconic female performer, as well as unique special effects and illusions.

This show is rated PG-13

CREW

Director – Chip Joyce
Assistant Director – Autumn Vandeven
Choreographers – Jennifer Morris & Sydney Abdnour
Music Director – Shawn Degenhart
Stage Managers – Bill Barr & John Donlan
Costumers – Sarah Blume, Ashlie Geiger, DeeDee Neuhaus
Production Secretary – Sarah Beth Leasor
Co-Production Secretary / House Manager – Jennifer Hodum
Hair & Makeup – Amy Williams, Susan Hazzard, Hannah Drake, Kayla Drake
Light Design – Amy & Jeramie Glass
Props – Jes King & Janelle Duffy
Set Design – Chip Joyce
Graphic Design – Kenney Delaney